Zines
Printer paper treatises
Feedback Zine
A monthly publication of miscellany zines with no central focus apart from whatever’s on my mind or going on that month.
5½” × 8½” • 40 pages • full color
FEEDBACK 013 • AUGUST 2025
FEEDBACK 012 • JULY 2025
FEEDBACK 011 • JUNE 2025
FEEDBACK 010 • MAY 2025
FEEDBACK 009 • APRIL 2025
FEEDBACK 008 • MARCH 2025
FEEDBACK 007 • FEBRUARY 2025
FEEDBACK 006 • JANUARY 2025
FEEDBACK 005 • DECEMBER 2024
FEEDBACK 004 • NOVEMBER 2024
FEEDBACK 003 • OCTOBER 2024
FEEDBACK 002 • SEPTEMBER 2024
FEEDBACK 001 • AUGUST 2024
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obsessions: beach, beer, bike, bunny, brooklyn, bronzing
gifts: flight tickets
film photos: apple & bean
pt. 1: new york city
pt. 2: boston
night life: born to crawl
photo booth: crawl in love
résumé: speaking from experience
taxonomy: take five
exercise: sweat tour
letter from the editor: artificially flavored
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5½” × 8½”, 40 pages, 9 pieces
obsessions: vocal, aerobic, polish, etc.
message: please be seated
film photos: the les
scraps: nota bene
travelogue: b2b
film photos: ferrytale
zoology: animal taxonomy
film photos: billyburg beers
photo booth: tease strip
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5½” × 8½”, 40 pages, 10 pieces
obsessions: ears, eyes, mouth
storyboard: tennis court 360º
gaming: level 9 fungus druid
books: endnote
sightings: glove affair
contact sheet: several shots to the head
television: cooped up
cinema: lynch break
screenplay: court square: green numbers
notebooks: intext
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5½” × 8½”, 40 pages, 10 pieces
obsessions: red/green, pikmin, cafés, &c.
phraseology: important phrases
1. interrogatives
2. imperatives
3. declaratives
cinema: lynch break
collection: mug shots
travelogue: domestic study abroad
performance: urban structures
work experience: long island sound
dream: over the hump
mantra: six repetitions
monologue: some laundry & a bird
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5½” × 8½”, 40 pages, 12 pieces
obsessions: clay, caffeine, &c.
x-ray: what’s in my sag
instructions: before it’s dark
screenplay: probably puck
film photos: new year, new york
pt. 1: eve eve
pt. 2: eve & day
fashion: vague rules
snapshot: ad, dp, pd, & me
cinema: keeping count
graphic design: monthly playlist covers
color: orange
tribute: goodnight dreamer
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5½” × 8½”, 40 pages, 5 pieces
obsessions: multipurpose
music: unwrapped
photography: this is our stop
fashion: worn out
gifts: thriftmas
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5½” × 8½”, 40 pages, 9 pieces
looking foreword: to december
commute: back & fourth
books: finite jest
film photos: on set in bushwick
semantics: mid life crisis
recipe: bánh mì chay
gaming: blue wing farm
miscellaneous: pink house, red truck, orange juice, etc.
code: j.p.a.
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5½” × 8½”, 40 pages, 12 pieces
life update: i drink coffee now
looking foreword: to november
opinion: worst case scenario
music: nyc
work experience: un-PA’d
fashion: maine idea
costume: halloween and it’s the same but it’s brat so it’s not
recipe: sticky tofu w/ cashew
miscellaneous: new email, selfies, etc.
data & statistics: that figures
interview: drum & drummer
nutrition facts: calorie/protein shake
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5½” × 8½”, 40 pages, 10 pieces
humor:this is my car
looking foreword: to october
puzzles:(unthemed)
fashion:goodwill hunting
recipe:hummus
personal history:dental illness
self-promo:boom 2
travelogue:bos, alb, bk
night life:club classics
letter from the editor:draft dodging
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5½” × 8½”, 40 pages, 12 pieces
intro: feedback loop
playlist: monthlong sunday ends
looking foreword: to september
recipe: shakshouka
books: a supposedly good book i’ll never read again
p.s.a.: spotted lanternfly
comic: moth hall
lesbian gossip: sapphic cold war
advice: talking to strangers
gaming: card wars: the adventuring
self-promo: boom
fashion: worn out
watercolor impressions of some thrift finds from december
Feedback 005 • December 2024
x-ray: what’s in my sag
an x-ray visualization of what i keep in the many pockets of my dickies jeans
Feedback 006 • January 2025
photography: new year, new york
two pages out of a collection of annotated & signed photos from the start of this year and end of last
Feedback 006 • January 2025
Jimmy’s
Cinema Passport
A series of film zines, each showcasing six films by six filmmakers from a different time and place in global cinema history. Accompanied by capsule reviews and funny little collages.
2¾” × 4¼” \\\ 16 pages \\\ black & white
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2¾” × 4¼”, 24pp., 12 films
L’atalante, Jean Vigo, 1934
L’Âge d'Or, Luis Buñuel, 1930
The Marseille Trilogy, Marcel Pagnol, 1931–1936
La chienne, Jean Renoir, 1931
À nous la liberté, René Clair, 1931
Hôtel du Nord, Marcel Carné, 1938
Pépé le Moko, Julien Duvivier, 1937
The Story of a Cheat, Sacha Guitry, 1936
The Blood of a Poet, Jean Cocteau, 1932
Anne-Marie, Raymond Bernard, 1936
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2¾” × 4¼”, 16pp., 6 films
A Borrowed Life, Wu Nien-jen, 1994
Goodbye, Dragon Inn, Tsai Ming-liang, 2003
A City of Sadness, Hou Hsiao-hsien, 1989
Eat Drink Man Woman, Ang Lee, 1994
Murmur of Youth, Lin Cheng-sheng, 1997
Terrorizers, Edward Yang, 1986
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2¾” × 4¼”, 16pp., 6 films
Daisies, Věra Chytilová, 1966
Diamonds of the Night, Jan Němec, 1964
The Cremator, Juraj Herz, 1969
Loves of a Blonde, Miloš Forman, 1965
Valerie and Her Week of Wonders, Jaromil Jireš, 1970
Closely Watched Trains, Jiří Menzel, 1966
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2¾” × 4¼”, 16pp., 6 films
Ticket of No Return, Ulrike Ottinger, 1979
Fox and His Friends, Rainer Werner Fassbinder, 1975
Aguirre, the Wrath of God, Werner Herzog, 1972
Alice in the Cities, Wim Wenders, 1974
Baal, Volker Schlöndorff, 1970
Fear Eats the Soul, Rainer Werner Fassbinder, 1974