a globe-trotting
film zine
2¾" × 4¼"
16 PAGES
BLACK & WHITE
PRINTER PAPER
Jimmy’s Cinema Passport is a six-film showcase of a time and place in global film history.
Each issue is filled with micro-collages and dense capsule reviews detailing the films’ style, content, and context within its national history. All that and it fits in your pocket.
-
2¾” × 4¼”, 24pp., 12 films
L’atalante, Jean Vigo, 1934
L’Âge d'Or, Luis Buñuel, 1930
The Marseille Trilogy, Marcel Pagnol, 1931–1936
La chienne, Jean Renoir, 1931
À nous la liberté, René Clair, 1931
Hôtel du Nord, Marcel Carné, 1938
Pépé le Moko, Julien Duvivier, 1937
The Story of a Cheat, Sacha Guitry, 1936
The Blood of a Poet, Jean Cocteau, 1932
Anne-Marie, Raymond Bernard, 1936
-
2¾” × 4¼”, 16pp., 6 films
A Borrowed Life, Wu Nien-jen, 1994
Goodbye, Dragon Inn, Tsai Ming-liang, 2003
A City of Sadness, Hou Hsiao-hsien, 1989
Eat Drink Man Woman, Ang Lee, 1994
Murmur of Youth, Lin Cheng-sheng, 1997
Terrorizers, Edward Yang, 1986
-
2¾” × 4¼”, 16pp., 6 films
Daisies, Věra Chytilová, 1966
Diamonds of the Night, Jan Němec, 1964
The Cremator, Juraj Herz, 1969
Loves of a Blonde, Miloš Forman, 1965
Valerie and Her Week of Wonders, Jaromil Jireš, 1970
Closely Watched Trains, Jiří Menzel, 1966
-
2¾” × 4¼”, 16pp., 6 films
Ticket of No Return, Ulrike Ottinger, 1979
Fox and His Friends, Rainer Werner Fassbinder, 1975
Aguirre, the Wrath of God, Werner Herzog, 1972
Alice in the Cities, Wim Wenders, 1974
Baal, Volker Schlöndorff, 1970
Ali: Fear Eats the Soul, Rainer Werner Fassbinder, 1974