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a globe-trotting
film zine

2¾" × 4¼"
16 PAGES
BLACK & WHITE
PRINTER PAPER

Jimmy’s Cinema Passport is a six-film showcase of a time and place in global film history.

Each issue is filled with micro-collages and dense capsule reviews detailing the films’ style, content, and context within its national history. All that and it fits in your pocket.

  • 2¾” × 4¼”, 24pp., 12 films

    L’atalante, Jean Vigo, 1934

    L’Âge d'Or, Luis Buñuel, 1930

    The Marseille Trilogy, Marcel Pagnol, 1931–1936

    La chienne, Jean Renoir, 1931

    À nous la liberté, René Clair, 1931

    Hôtel du Nord, Marcel Carné, 1938

    Pépé le Moko, Julien Duvivier, 1937

    The Story of a Cheat, Sacha Guitry, 1936

    The Blood of a Poet, Jean Cocteau, 1932

    Anne-Marie, Raymond Bernard, 1936

  • 2¾” × 4¼”, 16pp., 6 films

    A Borrowed Life, Wu Nien-jen, 1994

    Goodbye, Dragon Inn, Tsai Ming-liang, 2003

    A City of Sadness, Hou Hsiao-hsien, 1989

    Eat Drink Man Woman, Ang Lee, 1994

    Murmur of Youth, Lin Cheng-sheng, 1997

    Terrorizers, Edward Yang, 1986

  • 2¾” × 4¼”, 16pp., 6 films

    Daisies, Věra Chytilová, 1966

    Diamonds of the Night, Jan Němec, 1964

    The Cremator, Juraj Herz, 1969

    Loves of a Blonde, Miloš Forman, 1965

    Valerie and Her Week of Wonders, Jaromil Jireš, 1970

    Closely Watched Trains, Jiří Menzel, 1966

  • 2¾” × 4¼”, 16pp., 6 films

    Ticket of No Return, Ulrike Ottinger, 1979

    Fox and His Friends, Rainer Werner Fassbinder, 1975

    Aguirre, the Wrath of God, Werner Herzog, 1972

    Alice in the Cities, Wim Wenders, 1974

    Baal, Volker Schlöndorff, 1970

    Ali: Fear Eats the Soul, Rainer Werner Fassbinder, 1974

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